Script Writing: How to Write a Good Script

As a writer, your dream on making it big in the entertainment industry is selling a script and making a movie out of it.

Movies are one of the best forms of entertainment in the world. Since the invention and advancement in movie technology, people were always fascinated on how a movie works.

One of the most important necessities to make a good movie is not the graphic effects you see. You have to know that there have been movies done without much special effects and still won awards and really entertained people.

Script Writing: How to Write a Good Script

You have to consider that fact that actors, directors, and even producers have been successful because of one thing. They have been successful because they had a good script to follow.

A script can mean the difference of making a complete movie disaster and also making it big and win awards. If you want to be a script writer, you have to make a movie script that will catch the attention of movie goers. It should be able to entertain the audience and should contain all the necessary things in a movie.

Script writing is not something that only a select few can do, it is something that a regular person with enough imagination can learn, apply and develop. There is even script writing schools available that can help you enhance your script writing skills.

The ever growing demand for movies has made a market for good scripts. If you like to write, you may want to consider writing a script. Script writing can truly be a very rewarding job. If you do it right, you can be sure that you can really make your dreams come true by just writing a script for a movie. If you are successful, you can be sure that you will be in constant demand by the movie industry.

All you need is to have a great sense of imagination, a computer, and a printer.

The first thing you need to do as a scriptwriter is that you should catch the audience's imagination early. Write a script that will play around with the audience's imagination. Once you have their attention, it will be much easier to continue with the script. Always make your audience wonder what's going to happen next.

A good script should get the audience involved as the story unfolds. For example, great heroes in the movies should inspire your audience, and villains should make the audience feel the need to jump onto the screen.

These are some of the things you should always remember when writing a script. At times, you may get stuck. This can be frustrating but getting stuck will mean that you made a mistake somewhere in the script. Review your script, edit it, and move on.

So, if you have a sense of imagination, you can write a perfect script. Who knows, maybe you can make it big in the movie industry. Maybe someday, you might even win an award for writing a great script for a movie.

Always remember that writing a script can also mean hard work. With patience, you will really see that all those hard work will pay off.

Whether you are writing a script for drama, action, comedy, or a thriller movie, you should always remember that the key to writing a good script is by capturing the audience's imagination.

Script Writing: How to Write a Good Script
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The Difference Between Formal and Informal Writing

When it comes to writing in English, there are two main styles of writing - formal and informal. Consider these two examples:

Example 1:

This is to inform you that your book has been rejected by our publishing company as it was not up to the required standard. In case you would like us to reconsider it, we would suggest that you go over it and make some necessary changes.

The Difference Between Formal and Informal Writing

Example 2:
You know that book I wrote? Well, the publishing company rejected it. They thought it was awful. But hey, I did the best I could, and I think it was great. I'm not gonna redo it the way they said I should.

The difference between the two is obvious. The first one is formal, and the second is informal. But what is it that makes them formal and informal?

It is the style of writing, or the way we use words to say what we want to say. Different situations call for different ways of putting words together. The way we write in academic and scientific settings differs greatly from the way we write to a friend or close one. The tone, vocabulary, and syntax, all change as the occasion changes. This difference in the styles of writing is the difference between formality and informality, or the difference between formal and informal writing.

Following is a list of some of the main differences between informal and formal writing:

Informal: May use colloquial words/expressions (kids, guy, awesome, a lot, etc.)

Formal: Avoid using colloquial words/expressions (substitute with children, man/boy, wonderful, many, etc.)

Informal: May use contractions (can't, won't, shouldn't, etc.).

Formal: Avoid contractions (write out full words - cannot, will not, should not, etc.).

Informal: May use first, second, or third person.

Formal: Write in third person (except in business letters where first person may be used).

Informal: May use clichés (loads of, conspicuous by absence, etc.)

Formal: Avoid clichés (use many, was absent, etc.)

Informal: May address readers using second person pronouns (you, your, etc)

Formal: Avoid addressing readers using second person pronouns (use one, one's, the reader, the reader's, etc.)

Informal: May use abbreviated words (photo, TV, etc)

Formal: Avoid using abbreviated words (use full versions - like photograph, television, etc.)

Informal: May use imperative voice (e.g. Remember....)

Formal: Avoid imperative voice (use Please refer to.....)

Informal: May use active voice (e.g. We have notice that.....)

Formal: Use passive voice (e.g. It has been noticed that....)

Informal: May use short and simple sentences.

Formal: Longer and more complex sentences are preferred (short simple sentences reflects poorly on the writer)

Informal: Difficulty of subject may be acknowledged and empathy shown to the reader.

Formal: State your points confidently and offer your argument firm support.

These are just some of the differences between formal and informal writing. The main thing to remember is that both are correct, it is just a matter of tone and setting. Formal English is used mainly in academic writing and business communications, whereas Informal English is casual and is appropriate when communicating with friends and other close ones. Choose the style of writing keeping in mind what you are writing and to whom. But whichever style you write in - formal or informal - be sure to keep it consistent, do not mix the two.

The Difference Between Formal and Informal Writing
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Anis Siddiqi is an accomplished writer and has several published works to her credit. She is a regular writer for http://www.word-mart.com

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Writing and Speaking in a Distinctive Voice

Speaking in a distinctive voice has little to do with using big or complex words (though I must admit I'm often amazed by how otherwise educated people have developed such a limited a vocabulary).

A distinctive voice is more simplicity than flamboyance. The simpler the words and sentence construction the more transfixed recipients are likely to be.

Simplicity is always more powerful than complexity. Profound truths come in simple phrasings that cut to the bare bones of the thought or situation. Complexity is over-packaged language that leaves us feeling off balance and wondering if our interpretation is pure and accurate.

Writing and Speaking in a Distinctive Voice

But let's get back to basics. I said last week that our voices lack distinction because we all walk around parroting one another, all using the same old clichés, making our voices indistinguishable from the vast choir of people saying the exact same things. So we blend in rather than stand out.

That can change by ridding our language of all those echoes. Here are some examples of common clichés, followed by the same information expressed in a distinctive way.

Cliché: Think outside the box. (Irony: Using clichés isn't thinking outside the box.)
Revision: Come up with original ideas.

It's a no brainer.
It couldn't be any more obvious if you handed it to me on the end of a skewer.

This isn't rocket science. (Irony: Rocket science isn't actually all that complicated.)
This isn't particle physics.

This is a win-win situation.
Both sides benefit from this deal.

We need to focus on core competencies.
We need to stick with what we do best.

The proposal is cost prohibitive.
The proposal is too expensive.

We need to hit the ground running.
We need to move fast.

I don't have the bandwidth.
I don't have time.

The 800-pound gorilla.
The big problem.

Improve ROI (return on investment).
Improve our financial performance.

Our mission is to assist the economically disadvantaged.
Our mission is to help the poor.

Which of these two managers do you think the CEO will consider direct and clear thinking?

Manager one: "The current spending plan is unsustainable."
Manager two: "We're going to run out of money."

The first manager sugar coats and minimizes the situation. The second gives the chief executive the bleak and direct truth about the company's situation. Who do you think the CEO is more likely to respect, remember and promote?

Let's take a real-life historic situation. In 1986 the Space Shuttle Challenger exploded during takeoff killing all astronauts aboard. At the White House two senior staffers - Chief of Staff Donald Regan and Communications Director Patrick Buchanan - walked into the Oval Office to notify President Reagan.

Regan spoke first saying, "Mr. President, there's been a tragedy."

Buchanan, a no-nonsense straight talker, immediately added, "Sir, the Space Shuttle blew up."

Reagan leapt to his feet after hearing Buchanan speak.

What Donald Regan said wasn't a cliché or common phrase but it was too general to make an impact commensurate with the situation.

It was Buchanan who evoked the appropriate emotional response from the President by telling him what happened in simple, specific, brief language.

Donald Regan blew smoke. Patrick Buchanan lit a fire. No surprise that Buchanan, not Regan, was the White House communications director.

Simply rewording clichés and speaking more directly is just a first-level effort in the campaign to develop a voice distinctive enough to turn you into an oak among willows. We haven't even touched on tone, color, metaphors, similes, storytelling, and so on.

Still, this first-level effort alone can make you a remarkably refreshing speaker and writer, one who sounds more like the office soloist than a choir boy or girl.

Writing and Speaking in a Distinctive Voice
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Mike Consol is president of www.mikeconsol.com. He provides corporate training seminars for communication skills, business writing, PowerPoint presentation skills and media training (both traditional media and social media). Consol spent 17 years with American City Business Journals, the nation's largest publisher of metropolitan business journals with 40 weekly newspapers across the United States.

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Jingles, Commercials & Singing on the Money!

As a writer and former talent booking agent with the William Morris Agency, as well as a veteran jingle singer, my ears are always piqued when I hear an extraordinarily good spot. My interest is augmented further when I hear an incredible lead vocal and backup singer on that same commercial as well. I've always been fascinated with jingle singing and commercial singing in general, when I look at both the incredible talent and the money being made in the industry as a whole. As I talk to people wanting to engage the jingle industry and make a career of it as a jingle singer, there are a number of areas that I point out as crucial and, with the few minutes remaining in this article, I will share.

I am well aware that many of you reading this article would love to be singing on the next McDonalds commercial. I am also aware that most won't get the chance, not so much because of their singing abilities or inabilities, but because they don't know how to go about breaking into the market. There are a number of reasons that jingle singers get paid the big bucks and there's a reason that jingle singers tend to be around for awhile with long term longevity in the industry. Let's me share with you and uncover some of the mysteries surrounding the jingle singing market and how you might obtain session work.

First let's take a look at your singing abilities and then we'll transform that into an image of what your jingle singing demo ought to look and sound like and then we'll look at the pr and marketing side to your jingle singing campaign. What are the qualities of your voice? Do you have a smooth voice?, or is it husky or gritty sounding? Are you a blender or are you a lead vocalist? There's no right or wrong answer here, just the basics to start conceptualizing what your demo is going to sound like. It's important to know right up front, that most of you simply can't put together your own jingle singing demo. You won't know the ins and outs to what piques the ears of the jingle houses, nor know what styles and lastly what order to execute your demo in. The "My friend has a computer, keyboard and mic," approach won't get it. As I've stated in a number of writings to date, that your jingle demo has to sound like you've already arrived and have been singing commercials for years. Your demo has to come off like you are a veteran and seasoned singer. Don't hesitate to contact ReelMusician.com for further info on jingle singing demos and get an informed and honest look at a real jingle singing demo campaign.

Jingles, Commercials & Singing on the Money!

As you begin to look at and focus your energies on your jingle demo, you will want to begin looking at jingle concepts that are going to emphasize your areas of expertise and minimize your weaknesses. If you have a gritty voice, then by all means, focus your energies on jingles that enhance your edgy vocal. You will most likely include a lot of lead vocal jingles and a few group sings. These group sings will most likely be up in your face type sings with lots of energy. If you are a blender then you will most likely look at including group sings, showcasing your blending qualities and some targeted lead spots that sound like you command the stage. You have to be careful and pick your spots so that you truly sound like you command that spot and not just a forced or pushed jingle to include on your reel. Again, that's why you should visit ReelMusician for ideas and let the pros that know this market, create a jingle reel designed specifically for you and your particular vocal qualities.

Once you have established and recorded your jingle reel, you will want to begin the pr and marketing phase. You must know in advance, that jingle houses tend to stay with the same singers for a number of reasons, but none that you can't overcome, but ought to know up front. Jingle houses, like most individuals, go with what they know and are comfortable with. They know, that "so and so" sounds like this and so they use "so and so." Keep in mind that commercial turn around time is usually pretty fast. Sometimes a commercial comes in from the advertising agency and the turn around is 24 hours. As a writer at a jingle house, you don't have much time to experiment on new singers or take a chance on a new singer unless, their jingle demo sounds so good and sounds like they've been at it for years, that they venture out on an incredible sounding unique talent - That's how you break into the market. Let's look at some precursor ideas to what we just described.

Once you have your new jingle singer demo in hand and are comfortable with the quality, make sure to have included on the front cover your name with picture, contact number and the year and season - ie. John Doe 555-5555 Spring 2006. This is how the front cover of a jingle demo is produced. Now on the inside sleeve include again your name, contact number, year and season along with the names of the jingles in order. You will want to start calling on the jingle houses and submitting your new reel, but before you do, make sure that every element is correct. As you contact the jingle houses, make sure that you have your speaking delivery down and answers to possible questions if any. Also make sure and get an email address to correspond with and to submit further demos by way of emailing mp3's. You will want to start in your local market, but eventually you will want to broaden your horizons and venture out in to the major markets that surround you like Chicago, Atlanta, Dallas, New York, Los Angeles and other major markets.

Don't be afraid to produce sequel demos to cross the paths of the jingle producers another time to keep your name rolling across their desk. And lastly keep good records of your conversations taking in any criticism and being polite, yet confident with a go get it attitude. Don't be afraid to tell the producer, "I want to sing one of your spots and I want to be included on the next workable session." Don't be too pushy, but let them be aware of your commitment, drive and passion.

Jingles, Commercials & Singing on the Money!
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Mr Gauger is a former talent booking agent with the William Morris Agency and is the founder of http://www.ReelMusician.com. He has sung on FOX TV, UPN Station ID’s, O’Charley’s and many others. You may contact the author at tgauger@reelmusician.com or 615-300-5030. In addition, Free e-books “The Jingle Singer’s Guide,” and “Secrets To Great Song Demos,” may be downloaded at http://www.ReelMusician.com.

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Write to Speak Or Speak to Write? The Blurring of Writing and Speaking

If you want to improve your speaking skills, I suggest that you do some more writing. If you sit down and write out a speech, and then continue to edit it, while visualizing your speech, this will help you become a better speaker. And if you are having a coffee shop conversation with a friend and recall that conversation when doing your writing you will note that your writing looks more like a conversation or discussion, and your reader will notice this and they will enjoy it.

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Writing in this way looks as if you're speaking to the reader, and it is more pleasurable to read. If you doubt this go ahead read an article in a magazine and the articles that like, will be the ones in which it appears that the writers are talking to you. You can almost picture the person on the other side of the table having a conversation and makes you feel good you enjoy reading it. This is what I'm talking about.

Whether you decide to write to speak better, or use speaking to improve your writing, you will indeed end up doing both. The blurring of writing and speaking will improve your overall communication with the rest of the world. It will improve your telephone conversations so that you get to the point quicker and with more emphasis.

Write to Speak Or Speak to Write? The Blurring of Writing and Speaking

It will also prevent people from misunderstanding what you are trying to say. Writing skills help people in everyday communication. Those people who are really good speakers also note that their writing starts improving because when they speak to people they watch the facial feedback, and they start to understand which types of sentences and words provoke the proper reaction, and by using this knowledge to improve their writing; they find their skills expand exponentially. I hope you will consider blurring your speaking and writing communication skills.

Write to Speak Or Speak to Write? The Blurring of Writing and Speaking

Lance Winslow - Lance Winslow's Bio. Lance Winslow is also Founder of the Car Wash Guys, a cool little Franchise Company; http://www.carwashguys.com/history/founder.html/.

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Teacher Retirement Jokes

Most people dread the thought of retiring. There are some people who seemingly cannot wait to retire and then sit and do nothing, but they are definitely in the minority. Of all the people who hate retiring, teachers seem to hate it the most. They are so used to the hustle and bustle, and so used to being around their students all the time that they hate retiring! As soon as one teacher's day to retire comes close, you can hear plenty of teacher retirement jokes coming from the staff rooms, though.

Now, teacher retirement jokes are plenty. They are even funnier when teachers themselves crack those teacher retirement jokes. Have you ever wondered why they make all those teacher retirement jokes? Well, one thing teachers learn after a few months of teaching is that there are some things you cannot change. They have to be faced. So the best thing to do is to laugh about them!

Retirement

If you have ever attended a retirement dinner for a beloved and trusted teacher, you will see that. There will be a speech from the teacher, of course - and the speech is bound to be full of anecdotes, jokes, teacher jokes, and, especially, teacher retirement jokes. The best part is that they know where these jokes stem from, because they have all seen it happen - they are not just downloaded from somewhere on the net, which is only apt, considering that teachers spearhead the movement against plagiarism of homework!

Teacher Retirement Jokes

All those jokes do not mean that these teachers are not sad about leaving. Teaching is one of the hardest, most difficult jobs in the world. It is also one of the most underpaid jobs in the world. This means that when a person decides to be a teacher, they do it because they truly want to, because they sincerely want to teach. Such people also never stop learning - which is why they know that they must always look forward, just like they always tell their students.
No matter how much teachers may try to convince themselves that they are getting a well-earned break, that they are glad to be free of the stress and the worry, they are the ones who will find it the hardest to let go of their professions, because it is more than just a profession to them. This is as it should be - teaching should be more than just a career.
Teacher Retirement Jokes
Robert Grazian is an accomplished niche website developer and author. To learn more about teacher retirement jokes [http://www.youretired.com/teacher-retirement-jokes/] visit You Retired [http://www.youretired.com/] for current articles and discussions.

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